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About this book

The Vision and Creed of Piers Ploughman, Volume 2 is a medieval allegorical poem that continues the didactic dialogue begun in the first volume. The opening passage places the reader amid a series of vivid, often fragmented exchanges between characters such as Haukyn, Pacience, and Conscience, who debate the virtues of humility, contrition, and charitable living. The text is interspersed with Latin prayers, marginal glosses, and superscripted references that mirror the manuscript conventions of the original 14th‑century work, while the editor’s introductory note situates the poem within a scholarly edition prepared from a contemporary manuscript. This volume therefore offers a direct encounter with the poem’s theological arguments and its rich tapestry of biblical allusion, all presented in the same dense, verse‑like prose that characterizes the first part of the work.

Written in Middle English with frequent Latin insertions, the poem’s voice is that of a moral preacher speaking through personified virtues and vices. Its style is dense, alliterative, and heavily symbolic, reflecting the devotional and didactic concerns of late medieval England. Readers who enjoy close readings of medieval religious literature, scholars of Chaucerian and allegorical poetry, or anyone fascinated by the interplay of language, theology, and social critique will find this volume rewarding.

Who appears in The Vision and Creed of Piers Ploughman, Volume 2

  • HaukynMiddle‑age man in 14th‑century woolen tunic, hawk‑feather cap, sharp eyes
  • PacienceGentle woman in modest linen dress, simple veil, calm expression
  • ConscienceMiddle‑aged cleric in dark monk's habit, hand over heart, solemn gaze

The opening · free to read

Transcriber's note: A few obvious typographical errors have been corrected: they are listed at the end of the text.

In this edition line numbers are displayed on every tenth line--in the printed work they were synchronised to the pagination, with sometimes only one number per page. Lines marked = were printed AND COUNTED as two lines.

Text enclosed by underscores is in italics (italics). A carat character is used to denote superscription. A single character, or group enclosed enclosed in curly brackets, following the carat is superscripted (example: .xxx.^{ti}). In the main texts of The Vision and The Creed, the numbers of the original pages are enclosed in curly brackets to facilitate the use of the glossary.

Project Gutenberg has the other volume of this work. Volume I: see https://www.gutenberg.org/ebooks/43660

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