Drawn from who shares scenes with whom in the original text. Each bond is labeled from the pair's first scene together, so the map stays spoiler-light.
Also known as Dr. Jekyll, the good man, the respectable man
A respected, wealthy, and highly intelligent doctor who conducts experiments to separate the good and evil sides of human nature. He is a man of high social standing but struggles with internal moral conflicts.
Also known as the stranger, the man, the child, the thing, the other, the evil one
The embodiment of Dr. Jekyll's repressed evil impulses, Hyde is a smaller, more primitive, and violent version of the doctor. He is viewed by others as inherently repulsive and unnatural.
Also known as Mr. Utterson, the lawyer, the friend, the gentleman
A lawyer and a close friend of Dr. Jekyll, he serves as the story's primary investigator. He is a reserved, dry, and deeply loyal man who values logic and reputation.
Also known as Mr. Enfield, the gentleman
A distant relative of Utterson and a social acquaintance who provides the initial catalyst for the mystery by recounting an encounter with Hyde. He is a man of easy manners and social grace.
Bonds:GabrielDistant kinsmen
Also known as Dr. Lanyon, the scientist, the friend
A highly respected physician and a long-time friend of both Jekyll and Utterson. He represents the traditional scientific establishment and becomes a victim of the horrors revealed by Jekyll's experiments.
Bonds:GabrielOld friends
Storieta keeps this cast at your side while you read Dr. Jekyll and Mr. Hyde — portraits, names, and an ask-anything assistant that only knows what you've read so far. No spoilers, ever.
Full text of Dr. Jekyll and Mr. Hyde — the complete public-domain ebook, free.
The opening places the reader squarely in Victorian London, introducing the austere lawyer Mr. Utterson and his long‑time companion Mr. Enfield as they stroll through a quiet, well‑kept street that conceals a grim, windowless building. Their dialogue quickly turns to a “very odd story” about a sinister figure named Hyde who tramples a child and disappears through the shabby door, hinting at a dark mystery that involves a doctor’s will, a forged cheque, and a hidden key. From these first pages the work reveals itself as a blend of science‑fiction speculation and horror, centered on a physician’s self‑experiment that threatens to split his identity, while also exploring themes of morality, reputation, and the hidden dangers lurking beneath respectable society.
Stevenson’s prose is deliberately measured, his sentences winding through detailed character sketches and atmospheric description typical of late‑Victorian literature. The narrator’s tone is restrained yet foreboding, allowing the unsettling details to surface gradually rather than through overt shock. Readers who appreciate psychological intrigue, gothic settings, and the subtle unraveling of a dual nature will find this narrative compelling, as will those drawn to stories that examine the consequences of scientific ambition within a tightly knit, morally ambiguous world.
Every cast illustrated from the original text.
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