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Character guide

The Time Machine characters

Who's who in The Time Machine by H. G. Wells (1895): meet the 8 main characters, see how they connect, and open a detailed profile for each.

8 illustrated profiles

Meet the cast

Portrait of The Morlocks from The Time Machine

The Morlocks

Also known as the underground dwellers

A subterranean, predatory species that evolved from humans, acting as the dark counterpart to the surface-dwelling Eloi.

As drawn: A subterranean creature descended from man: ape-like and crouching, about four feet high, with dull bleached-white skin, lank flaxen hair, and large lidless greyish-red eyes adapted to darkness. CLOTHED in crude dark rags and sacking bound with cord about the body — never bare. Long arms, stooping gait, recoiling from light. Unsettling and feral, fully covered.

Bonds:TimeAdversaries

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How the cast of The Time Machine connects

Drawn from who shares scenes with whom in the original text. Each bond is labeled from the pair's first scene together, so the map stays spoiler-light.

The Time Traveller ↔ Weena: CompanionsThe Time Traveller ↔ The Morlocks: AdversariesThe Time Traveller ↔ The Medical Man: AcquaintancesThe Time Traveller ↔ The Psychologist: AcquaintancesThe Time Traveller ↔ Filby: FriendsCOMPANIONSADVERSARIESACQUAINTANCESFRIENDSFilbyThe Medical ManThe PsychologistThe Time TravellerWeenaThe Morlocks
A drawn page from the comic edition of A Christmas CarolA drawn page from the comic edition of The Adventures of Sherlock HolmesA drawn page from the comic edition of Romeo and Juliet

Never lose track of a character again.

Storieta keeps this cast at your side while you read The Time Machine, portraits, names, and an ask-anything assistant that only knows what you've read so far. No spoilers, ever.

Read The Time Machine as a graphic novel

Explore the book page for The Time Machine and read the opening free, with no account needed.

The story these characters live in

The novel unfolds as a speculative dialogue among a small circle of Victorian gentlemen gathered around a fire, where the enigmatic Time Traveller proposes a radical re‑examination of geometry and the nature of existence. By treating time as a fourth spatial dimension, he challenges the accepted limits of perception and hints at a contrivance capable of moving beyond the ordinary flow of moments. The narrative proceeds from philosophical debate to the unveiling of a delicate, clock‑like apparatus, setting the stage for an experiment that promises to breach the barrier between past, present, and future. This blend of scientific speculation and imaginative engineering situates the work firmly within the science‑fiction tradition while retaining the hallmarks of a dystopian meditation on humanity’s relationship to progress.

Wells’s prose is marked by a measured, almost conversational cadence that reflects the late‑nineteenth‑century salon atmosphere he recreates. The language is precise yet lyrical, weaving technical exposition with the quirks of his characters’ personalities. Readers who relish intellectual puzzles, enjoy early speculative fiction, and appreciate a measured, dialogue‑driven style will find the book’s blend of philosophical inquiry and narrative intrigue compelling.

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Every cast illustrated from the original text.

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