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Cover of The Time Machine, comic edition

Illustrated edition · Part One · free to read

The Time Machine

by H. G. Wells1895

A dinner-party argument about the fourth dimension, settled with a working prototype.

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6 drawn pages · dialogue straight from the original text

Cover of The Time Machine, comic edition
The Time Machine, illustrated page 1: The Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us.
The Time Machine, illustrated page 2: You know of course that a mathematical line, a line of thickness nil, has no real existence.
The Time Machine, illustrated page 3: Filby became pensive.
The Time Machine, illustrated page 4: Scientific people know very well that Time is only a kind of Space.
The Time Machine, illustrated page 5: But the great difficulty is this,
The Time Machine, illustrated page 6: The Time Traveller smiled round at us, then walked slowly out of the room, and we heard his slippers shuffling down the long passage to his laboratory.

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About The Time Machine

The opening places the work squarely in the science‑fiction tradition, introducing a speculative discussion of “the geometry of Four Dimensions” that quickly turns into the notion of a machine capable of moving through time. In a convivial, late‑Victorian drawing‑room, a charismatic Time Traveller challenges his skeptical companions, Filby, the Psychologist, the Provincial Mayor, and others, by arguing that time is merely a fourth spatial dimension, subject to the same manipulations as length, breadth and thickness. Their dialogue, peppered with references to contemporary scientific figures such as Professor Simon Newcomb, sets up the central paradox: if time can be treated as a dimension, could a device be built to traverse it? The narrative begins with a vivid description of the experimental model, a glittering, clock‑sized apparatus, followed by a dramatic demonstration that convinces the group, at least for the moment, that the impossible may be within reach.

Wells writes in a confident, conversational tone that reflects the lecture‑style salons of the 1890s, blending precise scientific argument with witty banter. His prose is richly descriptive yet brisk, allowing the reader to feel both the intellectual excitement and the underlying doubts of his characters. Readers who enjoy thoughtful speculation on physics, enjoy early examples of speculative technology, or appreciate a story that unfolds through dialogue rather than action will find this opening compelling. It appeals especially to those who like to trace the roots of modern sci‑fi concepts while savoring the period’s distinctive blend of earnestness and irony.

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