On The Art of Reading

Ii

The first thing, then, to be noted about the reading of English (with which alone I am concerned) is that for Englishmen it has been made, by Act of Parliament, compulsory.

The next thing to be noted is that in our schools and Colleges and Universities it has been made, by Statute or in practice, all but impossible.

The third step is obvious--to reconcile what we cannot do with what we must: and to that aim I shall, under your patience, direct this and the following lecture. I shall be relieved at all events, and from the outset, of the doubt by which many a Professor, here and elsewhere, has been haunted: I mean the doubt whether there really is such a subject as that of which he proposes to treat. Anything that requires so much human ingenuity as reading English in an English University must be an art.

Iii

But I shall be met, of course, by the question 'How is the reading of English made impossible at Cambridge?' and I pause here, on the edge of my subject, to clear away that doubt.

It is no fault of the University.

The late Philip Gilbert Hamerton, whom some remember as an etcher, wrote a book which he entitled (as I think, too magniloquently) "The Intellectual Life." He cast it in the form of letters--'To an Author who kept very Irregular Hours,' 'To a Young Etonian who thought of becoming a Cotton-spinner,' 'To a Young Gentleman who had firmly resolved never to wear anything but a Grey Coat' (but Mr Hamerton couldn't quite have meant that). 'To a Lady of High Culture who found it difficult to associate with persons of her Own Sex,' 'To a Young Gentleman of Intellectual Tastes, who, without having as yet any Particular Lady in View, had expressed, in a General Way, his Determination to get Married: The volume is well worth reading. In the first letter of all, addressed 'To a Young Man of Letters who worked Excessively,' Mr Hamerton fishes up from his memory, for admonishment, this salutary instance:

A tradesman, whose business affords an excellent outlet for energetic bodily activity, told me that having attempted, in addition to his ordinary work, to acquire a foreign language which seemed likely to be useful to him, he had been obliged to abandon it on account of alarming cerebral symptoms. This man has immense vigour and energy, but the digestive functions, in this instance, are sluggish. However, when he abandoned study, the cerebral inconveniences disappeared, and have never returned since.

You or I (say) have to take the Modern Languages Tripos, Section A (English), in 1917[1]. First of all (and rightly) it is demanded of us that we show an acquaintance, and something more than a bowing acquaintance, with Shakespeare. Very well; but next we have to write a paper and answer questions on the outlines of English Literature from 1350 to 1832--almost 500 years--, and next to write a paper and show particular knowledge of English Literature between 1700 and 1785--eighty-five years. Next comes a paper on passages from selected English verse and prose writings --the Statute discreetly avoids calling them literature--between 1200 and 1500, exclusive of Chaucer; with questions on language, metre, literary history and literary criticism: then a paper on Chaucer with questions on language, metre, literary history and literary criticism: lastly a paper on writing in the Wessex dialect of Old English, with questions on the cornet, flute, harp, sackbut, language, metre and literary history.

Now if you were to qualify yourself for all this as a scholar should, and in two years, you would certainly deserve to be addressed by Mr Hamerton as 'A Young Man of Letters who worked Excessively'; and to work excessively is not good for anyone. Yet, on the other hand, you are precluded from using, for your 'cerebral inconveniences,' the heroic remedy exhibited by Mr Hamerton's enterprising tradesman, since on that method you would not attain to the main object of your laudable ambition, a Cambridge degree.

But the matter is very much worse than your Statute makes it out. Take one of the papers in which some actual acquaintance with Literature is required the Special Period from 1700 to 1785; then turn to your "Cambridge History of English Literature", and you will find that the mere bibliography of those eighty-five years occupies something like five or six hundred pages--five or six hundred pages of titles and authors in simple enumeration! The brain reels; it already suffers 'cerebral inconveniences.' But stretch the list back to Chaucer, back through Chaucer to those alleged prose writings in the Wessex dialect, then forward from 1785 to Wordsworth, to Byron, to Dickens, Carlyle, Tennyson, Browning, Meredith, even to this year in which literature still lives and engenders; and the brain, if not too giddy indeed, stands as Satan stood on the brink of Chaos--

Pondering his voyage; for no narrow frith He had to cross--

and sees itself, with him, now plumbing a vast vacuity, and anon nigh-foundered, 'treading the crude consistence.'

The whole business of reading English Literature in two years, to know it in any reputable sense of the word--let alone your learning to write English--is, in short, impossible. And the framers of the Statute, recognising this, have very sensibly compromised by setting you to work on such things as 'the Outlines of English Literature'; which are not Literature at all but are only what some fellow has to say about it, hastily summarising his estimates of many works, of which on a generous computation he has probably read one-fifth; and by examining you on (what was it all?) 'language, metre, literary history and literary criticism,' which again are not Literature, or at least (as a Greek would say in his idiom) escape their own notice being Literature. For English Literature, as I take it, is that which sundry men and women have written memorably in English about Life. And so I come to my subject--the art of reading that, which is Literature.

V

I shall take leave to leap into it over another man's back, or, rather over two men's backs. No doubt it has happened to many of you to pick up in a happy moment some book or pamphlet or copy of verse which just says the word you have unconsciously been listening for, almost craving to speak for yourself, and so sends you off hot-foot on the trail. And if you have had that experience, it may also have happened to you that, after ranging, you returned on the track 'like faithful hound returning,' in gratitude, or to refresh the scent; and that, picking up the book again, you found it no such wonderful book after all, or that some of the magic had faded by process of the change in yourself which itself had originated. But the word was spoken.

Such a book--pamphlet I may call it, so small it was--fell into my hands some ten years ago; "The Aims of Literary Study"--no very attractive title--by Dr Corson, a distinguished American Professor (and let me say that, for something more than ten--say for twenty--years much of the most thoughtful as well as the most thorough work upon English comes to us from America). I find, as I handle again the small duodecimo volume, that my own thoughts have taken me a little wide, perhaps a little astray, from its suggestions. But for loyalty's sake I shall start just where Dr Corson started, with a passage from Browning's, "A Death in the Desert," supposed (you will remember)--

And leans upon the former, makes it play, As that played off the first: and, tending up, Holds, is upheld by, God, and ends the man Upward in that dread point of intercourse, Nor needs a place, for it returns to Him. What Does, What Knows, What Is; three souls, one man. I give the glossa of Theotypas.]

_What Does, What Knows, What Is_--there is no mistaking what Browning means, nor in what degrees of hierarchy he places this, that, and the other.... Does it not strike you how curiously men to-day, with their minds perverted by hate, are inverting that order?--all the highest value set on What Does--What Knows suddenly seen to be of importance, but only as important in feeding the guns, perfecting explosives, collaring trade--all in the service of What Does, of 'Get on or Get Out,' of 'Efficiency'; no one stopping to think that 'Efficiency' is--must be--a relative term! Efficient for what?--for What Does, What Knows or perchance, after all, for What Is? No! banish the humanities and throw everybody into practical science: not into that study of natural science, which can never conflict with the 'humanities' since it seeks discovery for the pure sake of truth, or charitably to alleviate man's lot--

Sweetly, rather, to ease, loose and bind As need requires, this frail fallen humankind ...

--but to invent what will be commercially serviceable in besting your neighbour, or in gassing him, or in slaughtering him neatly and wholesale. But still the whisper (not ridiculous in its day) will assert itself, that What Is comes first, holding and upheld by God; still through the market clamour for a 'Business Government' will persist the voice of Plato murmuring that, after all, the best form of government is government by good men: and the voice of some small man faintly protesting 'But I don't want to be governed by business men; because I know them and, without asking much of life, I have a hankering to die with a shirt on my back.'

Vi

But let us postpone What Is for a moment, and deal with What Does and What Knows. They too, of course, have had their oppositions, and the very meaning of a University such as Cambridge--its fons, its origo, its [Greek: to ti en einai]-- was to assert What Knows against What Does in a medieval world pranced over by men-at-arms, Normans, English, Burgundians, Scots. Ancillary to Theology, which then had a meaning vastly different from its meaning to-day, the University tended as portress of the gate of knowledge--of such knowledge as the Church required, encouraged, or permitted--and kept the flag of intellectual life, as I may put it, flying above that gate and over the passing throngs of 'doers' and mailed-fisters. The University was a Seat of Learning: the Colleges, as they sprang up, were Houses of Learning.