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Cover of A Christmas Carol, comic edition

Illustrated edition · Part One · free to read

A Christmas Carol

by Charles Dickens1843

Marley was dead, to begin with. That is where the haunting starts.

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The story opens

24 drawn pages · dialogue straight from the original text

Cover of A Christmas Carol, comic edition
A Christmas Carol, illustrated page 1: Marley was dead: to begin with.
A Christmas Carol, illustrated page 2: Oh! But he was a tight-fisted hand at the grindstone, Scrooge!
A Christmas Carol, illustrated page 3: Once upon a time—of all the good days in the year, on Christmas Eve—
A Christmas Carol, illustrated page 4: A merry Christmas, uncle! God save you!
A Christmas Carol, illustrated page 5: That afternoon.
A Christmas Carol, illustrated page 6: I am sorry, with all my heart, to find you so resolute.
A Christmas Carol, illustrated page 7: Scrooge and Marley’s, I believe.
A Christmas Carol, illustrated page 8: Seeing clearly that it would be useless to pursue their point, the gentlemen withdrew.
A Christmas Carol, illustrated page 9: Now, it is a fact,
A Christmas Carol, illustrated page 10: Marley’s face. Marley’s face.
A Christmas Carol, illustrated page 11: He did pause, with a moment’s irresolution, before he shut the door;
A Christmas Carol, illustrated page 12: He fastened the door, and walked across the hall, and up the stairs;
A Christmas Carol, illustrated page 13: Upstairs.
A Christmas Carol, illustrated page 14: It was a very low fire indeed; nothing on such a bitter night.
A Christmas Carol, illustrated page 15: The bells ceased as they had begun, together.
A Christmas Carol, illustrated page 16: The same face: the very same.
A Christmas Carol, illustrated page 17: I wear the chain I forged in life,
A Christmas Carol, illustrated page 18: I have none to give,
A Christmas Carol, illustrated page 19: Oh! captive, bound, and double-ironed,
A Christmas Carol, illustrated page 20: Scrooge’s countenance fell almost as low as the Ghost’s had done.
A Christmas Carol, illustrated page 21: That night.
A Christmas Carol, illustrated page 22: The apparition walked backward from him.
A Christmas Carol, illustrated page 23: Scrooge followed to the window: desperate in his curiosity.
A Christmas Carol, illustrated page 24: Scrooge closed the window,

End of the free preview

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How the cast of A Christmas Carol connects

Drawn from who shares scenes with whom in the original text. Each bond is labeled from the pair's first scene together, so the map stays spoiler-light.

Ebenezer Scrooge ↔ Jacob Marley: Former business partnersBob Cratchit → Tiny Tim: Father and sonEbenezer Scrooge → Fred: Uncle and nephewFORMER BUSINESS PARTNERSFATHER AND SONUNCLE AND NEPHEWEbenezer ScroogeJacob MarleyFredBob CratchitTiny Tim

Meet the full cast of A Christmas Carol

About A Christmas Carol

This work is Charles Dickens’s “A Christmas Carol in Prose; Being a Ghost Story of Christmas,” a Victorian ghost tale set in London that foregrounds the miserly businessman Ebenezer Scroove and his dead partner, Jacob Marley. The opening pages present a practical guide to the various illustrated editions, then launch into a preface in which Dickens promises a “ghostly little book” that will “haunt their houses pleasantly.” The narrative begins with the unmistakable certainty that Marley is dead, using a series of legal confirmations and a relentless, almost comedic repetition of the phrase “as dead as a door‑nail.” From there Dickens sketches Scroove’s icy temperament, his disdain for Christmas, and his interaction with a cheerful nephew who extols the season’s charitable spirit. The scene is set in a fog‑filled, candle‑lit counting‑house, establishing the bleak urban backdrop that will host the forthcoming supernatural visitations.

Dickens writes in the richly descriptive, ironical prose of the 1840s, employing vivid similes, rhythmic repetition, and a brisk, dialogue‑driven pace that captures both the grim realism of London’s poor families and the eerie atmosphere of a ghost story. The voice is unmistakably Victorian, with its formal diction and moral undercurrent, while the illustrations by John Leech add visual flair typical of the period. Readers who enjoy darkly comic social commentary, atmospheric Victorian settings, and stories that blend moral reflection with supernatural intrigue will find this novella engaging.

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