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Cover of The War of the Worlds, comic edition

Illustrated edition · Part One · free to read

The War of the Worlds

by H. G. Wells1898

No one would have believed we were being watched. Then the first cylinder fell.

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The story opens

8 drawn pages · dialogue straight from the original text

Cover of The War of the Worlds, comic edition
The War of the Worlds, illustrated page 1: No one would have believed in the last years of the nineteenth century that this world was being watched keenly;
The War of the Worlds, illustrated page 2: It is possible that the infusoria under the microscope do the same.
The War of the Worlds, illustrated page 3: I might not have heard of the eruption at all had I not met Ogilvy, the well-known astronomer, at Ottershaw.
The War of the Worlds, illustrated page 4: Ogilvy moved about, invisible but audible.
The War of the Worlds, illustrated page 5: I never dreamed of it then as I watched; no one on earth dreamed of that unerring missile.
The War of the Worlds, illustrated page 6: Hundreds of observers saw the flame that night and the night after about midnight, and again the night after; and so for ten nights, a flame each night.
The War of the Worlds, illustrated page 7: In 1894, a great light was seen on Mars' disk, first at Lick Observatory…
The War of the Worlds, illustrated page 8: The missiles the Martians had fired at us drew earthward, rushing now at a pace of many miles a second.

End of the free preview

A drawn page from the comic edition of Anne of Green GablesA drawn page from the comic edition of Little WomenA drawn page from the comic edition of A Christmas Carol

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About The War of the Worlds

The novel is a science‑fiction war story that begins with a sweeping meditation on humanity’s complacency at the close of the nineteenth century. The narrator describes Earth as an unwitting subject of distant intelligences, then turns to Mars, detailing its cooler climate, dwindling oceans and the desperate intellect of its inhabitants. By weaving scientific speculation about planetary cooling, orbital distance and the historical observations of astronomers such as Schiaparelli, the opening sets up a scenario in which Martian minds, driven by scarcity, prepare an “escape” by targeting the more fertile Earth. The text moves from a philosophical overview to a vivid recounting of a series of mysterious flames observed from Earth, the ensuing speculation of astronomers, and finally the discovery of a massive crater that hints at an extraterrestrial projectile, an ominous prelude to the conflict that will follow.

The voice is that of a late‑Victorian narrator, formal and descriptive, with a tone that mixes earnest scientific curiosity and a moral caution about humanity’s own history of extermination. H. G. Wells writes in long, clause‑laden sentences that echo the period’s prose style, while his speculative imagination grounds the story in contemporary astronomical knowledge. Readers who enjoy detailed world‑building, a blend of hard science with dramatic tension, and a reflective, almost lecture‑like commentary on progress and imperialism will find this opening compelling.

The War of the Worlds by H. G. Wells its book page, where the opening is free to read with no account.

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