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Character guide

Crime and Punishment characters

Who's who in Crime and Punishment by Dostoyevsky, Fyodor: meet the 15 main characters, see how they connect, and open a detailed profile for each.

15 illustrated profiles

Meet the cast

Portrait of Rodion Romanovitch Raskolnikov from Crime and Punishment

Rodion Romanovitch Raskolnikov

Also known as Raskolnikov, Rodya, Rodka, Rodion Romanovitch

A destitute former law student in Petersburg who murders an old pawnbroker to test his theory that extraordinary men may transgress moral law, then is consumed by guilt and dread.

As drawn: A young man, exceptionally handsome, above the average in height, slim and well-built, with beautiful dark eyes and dark brown hair and a refined face; at the story's outset gaunt and haggard, dressed in rags so tattered a respectable man would be ashamed to be seen in them.

Bonds:DmitriClose friendsAvdotyaSiblingsPulcheriaMother-sonZossimovDoctor and patient

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Portrait of Sofya Semyonovna Marmeladov from Crime and Punishment

Sofya Semyonovna Marmeladov

Also known as Sonia, Sonetchka, Sofya Semyonovna

Marmeladov's meek, devout daughter, driven onto the streets with a yellow ticket to support her destitute family, who becomes Raskolnikov's redeemer and follows him to Siberia.

As drawn: A small, thin girl, very young and almost childlike, with a gentle soft little voice, fair hair, and a pale, thin little face; modest and refined in manner, poorly and plainly dressed with a shabby old-fashioned hat and a parasol.

Bonds:KaterinaStepfamilyAvdotyaFirst meetingAndreyBook lenderDmitriNew acquaintances

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Portrait of Avdotya Romanovna Raskolnikov from Crime and Punishment

Avdotya Romanovna Raskolnikov

Also known as Dounia, Dounetchka, Avdotya Romanovna

Raskolnikov's proud, strong-willed sister, who nearly sacrifices herself in marriage to the calculating Luzhin to help her brother and resists Svidrigailov's obsession.

As drawn: Remarkably good-looking and really beautiful; tall, strikingly well-proportioned, strong and self-reliant in every gesture yet graceful, with dark brown hair a little lighter than her brother's and a face resembling his.

Bonds:DmitriNew acquaintancesRodionSiblingsPulcheriaMother-daughterPyotrEngaged couple

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Portrait of Pulcheria Alexandrovna Raskolnikov from Crime and Punishment

Pulcheria Alexandrovna Raskolnikov

Also known as Pulcheria Alexandrovna

Raskolnikov's devoted, anxious mother, whose long letter and arrival in Petersburg deepen his torment, and who slowly succumbs to grief over her son.

As drawn: A woman of forty-three whose face still retained clear traces of her former beauty and who looked much younger than her age, with serene, warm, sincere features.

Bonds:AvdotyaMother-daughterDmitriGrateful acquaintancesRodionMother-sonPyotrProspective in-laws

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Portrait of Dmitri Prokofitch Razumihin from Crime and Punishment

Dmitri Prokofitch Razumihin

Also known as Razumihin, Dmitri Prokofitch, Vrazumihin

Raskolnikov's loyal, warm-hearted university comrade, poor but resourceful, who nurses him through his illness, defends the family, and falls in love with Dounia.

As drawn: Of striking appearance: tall and thin, black-haired and always badly shaved; an exceptionally good-humoured, candid youth, robust and boisterous, careless of his shabby dress.

Bonds:AvdotyaNew acquaintancesRodionClose friendsPulcheriaGrateful acquaintancesZossimovFriends

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Portrait of Semyon Zaharovitch Marmeladov from Crime and Punishment

Semyon Zaharovitch Marmeladov

Also known as Marmeladov, Semyon Zaharovitch

A ruined, drink-sodden titular counsellor and Sonia's father, who pours out his self-lacerating confession to Raskolnikov in a tavern and later dies run over by a carriage.

As drawn: A man over fifty, bald and grizzled, of medium height and stoutly built; his face bloated from continual drinking, of a yellow, even greenish tinge, with swollen eyelids from which keen little reddish eyes gleamed like chinks; wearing an old, hopelessly ragged black dress coat.

Bonds:KaterinaMarried coupleSofyaFather and daughter

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Portrait of Katerina Ivanovna Marmeladov from Crime and Punishment

Katerina Ivanovna Marmeladov

Also known as Katerina Ivanovna

Marmeladov's consumptive, proud second wife and Sonia's stepmother, an officer's educated daughter reduced to squalor, who unravels into feverish madness after her husband's death.

As drawn: A terribly wasted, consumptive woman of about thirty, tall and slim with once-fine chestnut hair, parched lips, and hectic flush spots on her cheeks; her feverishly glittering eyes fixed in a harsh, immovable stare.

Bonds:SofyaStepfamilyAndreyHousematesRodionFamily friendsSemyonMarried couple

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Portrait of Alyona Ivanovna from Crime and Punishment

Alyona Ivanovna

Also known as Alyona Ivanovna

The mean, wealthy old pawnbroker whom Raskolnikov murders with an axe, the object of his theory that killing a worthless louse could serve a greater good.

As drawn: A diminutive, withered-up old woman of sixty, with sharp malignant eyes and a sharp little nose; her colourless, somewhat grizzled hair thickly smeared with oil and left uncovered, and a thin long neck like a hen's leg.

Bonds:LizavetaSisters

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Portrait of Lizaveta Ivanovna from Crime and Punishment

Lizaveta Ivanovna

Also known as Lizaveta

Alyona's downtrodden, gentle half-sister, a peddler enslaved by the pawnbroker, who walks in on the murder scene and is killed by Raskolnikov as well.

As drawn: A single woman of about thirty-five, tall, clumsy, timid and submissive to the point of seeming almost idiotic; perpetually cowed and fearful.

Bonds:AlyonaSistersKaterinaSeller and customer

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Portrait of Arkady Ivanovitch Svidrigaïlov from Crime and Punishment

Arkady Ivanovitch Svidrigaïlov

Also known as Svidrigaïlov, Arkady Ivanovitch

The depraved, enigmatic landowner in whose house Dounia was a governess, who pursues her obsessively, is haunted by his dead wife, and ends in suicide.

As drawn: A well-preserved man of about fifty with a strange, mask-like face, white and red with bright red lips, a flaxen beard and still-thick flaxen hair, and eyes somehow too blue with a heavy, fixed expression; handsome yet unpleasant, looking young for his age, smartly dressed in light summer clothes with a huge jewelled ring.

Bonds:RodionNew acquaintancesPyotrIn-law connectionDmitriBrief encounterSofyaFinancial benefactor

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Portrait of Porfiry Petrovitch from Crime and Punishment

Porfiry Petrovitch

Also known as Porfiry Petrovitch, Porfiry

The shrewd examining magistrate and head of the Investigation Department who, without hard proof, psychologically corners Raskolnikov and coaxes him toward confession.

As drawn: A man of about five and thirty, short and stout even to corpulence, clean-shaven with hair cut short over a large round head prominent at the back; his soft, round, rather snub-nosed face of a sickly dark-yellow colour, with a vigorous, ironical expression.

Bonds:DmitriDistant relatives

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Portrait of Pyotr Petrovitch Luzhin from Crime and Punishment

Pyotr Petrovitch Luzhin

Also known as Luzhin, Pyotr Petrovitch

A self-made, vain court councillor engaged to Dounia, who means to keep her grateful and dependent, and who spitefully frames Sonia after being rejected.

As drawn: A gentleman no longer young, of a stiff and portly appearance with a cautious and sour countenance; forty-five, of fairly prepossessing looks, fashionably and immaculately dressed, morbidly self-admiring.

Bonds:AvdotyaEngaged coupleDmitriHeated adversariesPulcheriaProspective in-lawsAndreyHousemates

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Portrait of Zossimov from Crime and Punishment

Zossimov

Also known as Zossimov

The complacent young doctor and friend of Razumihin who attends the feverish Raskolnikov and takes a clinical interest in his mental state.

As drawn: A tall, fat man of twenty-seven with a puffy, colourless, clean-shaven face and straight flaxen hair; wearing spectacles and a big gold ring, dressed in a fashionable loose light-grey coat with irreproachable linen and a massive watch-chain.

Bonds:DmitriFriendsRodionDoctor and patient

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How the cast of Crime and Punishment connects

Drawn from who shares scenes with whom in the original text. Each bond is labeled from the pair's first scene together, so the map stays spoiler-light.

Avdotya Romanovna Ras… ↔ Dmitri Prokofitch Raz…: New acquaintancesRodion Romanovitch Ra… ↔ Dmitri Prokofitch Raz…: Close friendsRodion Romanovitch Ra… ↔ Avdotya Romanovna Ras…: SiblingsKaterina Ivanovna Mar… → Sofya Semyonovna Marm…: StepfamilyPulcheria Alexandrovn… → Avdotya Romanovna Ras…: Mother-daughterPyotr Petrovitch Luzh… ↔ Avdotya Romanovna Ras…: Engaged couplePulcheria Alexandrovn… ↔ Dmitri Prokofitch Raz…: Grateful acquaintancesZossimov ↔ Dmitri Prokofitch Raz…: FriendsPulcheria Alexandrovn… → Rodion Romanovitch Ra…: Mother-sonPorfiry Petrovitch ↔ Dmitri Prokofitch Raz…: Distant relativesPyotr Petrovitch Luzh… ↔ Dmitri Prokofitch Raz…: Heated adversariesSofya Semyonovna Marm… ↔ Avdotya Romanovna Ras…: First meetingNEW ACQUAINTANCESSTEPFAMILYMOTHER-DAUGHTERENGAGED COUPLEFRIENDSMOTHER-SONDISTANT RELATIVESRodion Romanovitch Ra…Sofya Semyonovna Marm…Porfiry PetrovitchPyotr Petrovitch Luzh…ZossimovAndrey Semyonovitch L…NastasyaAvdotya Romanovna Ras…Pulcheria Alexandrovn…Dmitri Prokofitch Raz…Katerina Ivanovna Mar…Arkady Ivanovitch Svi…
A drawn page from the comic edition of The Adventures of Sherlock HolmesA drawn page from the comic edition of Romeo and JulietA drawn page from the comic edition of Pride and Prejudice

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The story these characters live in

Crime and Punishment is a psychological novel set amid the heat, poverty, bustle, and squalor of nineteenth-century Petersburg. Its central figure, Raskolnikov, is an impoverished former student living in a cramped garret, isolated from others and prey to exhaustion, anxiety, and feverish self-questioning. As he moves through crowded streets toward a troubling personal errand, ordinary details, a debt to his landlady, a conspicuous hat, a flight of stairs, take on extraordinary weight. The book combines the pressure of a detective and mystery story with an intense examination of crime, conscience, fear, and the mind’s attempts to justify its actions.

Dostoyevsky writes with close psychological focus, shifting between vivid urban observation, inward monologue, nervous hesitation, and sharply drawn encounters. The prose has the urgency and density of a nineteenth-century Russian novel, while its attention to poverty, social isolation, moral responsibility, and spiritual unease gives the narrative a grave, volatile atmosphere. It will appeal to readers who enjoy character-driven mysteries, psychological fiction, richly evoked city settings, and stories more interested in the workings of a troubled mind than in crime as a puzzle alone.

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