Storieta
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About this book

Henry Dwight Sedgwick’s A Short History of Italy is a concise, outline‑style survey that spans from the collapse of the Western Roman Empire in 476 to the dawn of the twentieth century. In his own preface he admits the work is “a mere sketch in outline,” offering a selective narrative that emphasizes the Papacy, the Renaissance, and the Risorgimento while sprinkling in enough detail to clarify the broader sweep. The opening chapter already sets the tone, juxtaposing the Roman world of law, roads and luxury with the “Barbarian” societies that would eventually supplant it, and it proceeds chapter by chapter through the Ostrogoths, Lombards, Charlemagne, the rise and fall of medieval papal power, and the cultural rebirth that followed. The book’s structure, marked by a detailed table of contents and supplemental appendices, makes it a handy reference for anyone seeking a rapid yet comprehensive impression of Italy’s long and varied past.

Written in the early twentieth‑century American academic voice, Sedgwick’s prose is formal, descriptive, and occasionally didactic, reflecting the historiographical conventions of his time. The language is clear but unabashedly selective, favoring grand themes and notable figures over exhaustive source criticism. Readers who enjoy a brisk, thematic overview rather than a deep archival study will find it rewarding, particularly students, educators, or general readers interested in the interplay of politics, religion, and culture that shaped Italy from antiquity through unification. Those with a taste for narrative history that balances breadth with occasional vivid detail will appreciate Sedgwick’s effort to illuminate the “achievements which make Italy so charming and so interesting to the world.

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This volume is a mere sketch in outline; it makes no pretence to original investigation, or even to an extended examination of the voluminous literature which deals with every part of its subject. It is an attempt to give a correct impression of Italian history as a whole, and employs details only here and there, and then merely for the sake of giving greater clearness to the general outline. So brief a narrative is mainly a work of selection; and perhaps no two persons would agree upon what to put in and what to leave out. I have laid emphasis upon the matters of greatest general interest, the Papacy, the Renaissance, and the Risorgimento; and my special object has been to put in high relief those achievements which make Italy so charming and so interesting to the world, and to give what space was possible to the great men to whom these achievements are due.

H. D. S. NEW YORK, October 1, 1905.

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