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Cover of Dr. Jekyll and Mr. Hyde, comic edition

Dr. Jekyll and Mr. Hyde

by Robert Louis Stevenson1886

A respectable doctor, a sinister door, and a will that names the wrong man.

Portrait of Henry JekyllHenryPortrait of Edward HydeEdwardPortrait of Gabriel John UttersonGabrielPortrait of Richard EnfieldRichardPortrait of Hastie LanyonHastie
Dr. Jekyll and Mr. Hyde, illustrated page 1: Utterson the lawyer was a man of a rugged countenance, never lit by a smile; cold, scanty, embarrassed in discourse…
Utterson the lawyer was a man of a rugged countenance, never lit by a smile; cold, scanty, embarrassed in discourse…
…backward in sentiment; lean, long, dusty, dreary, and yet somehow lovable.
At friendly meetings, when the wine was to his taste, something human beaconed from his eye.
Dr. Jekyll and Mr. Hyde, illustrated page 2: Did you ever remark that door?
Did you ever remark that door?
Indeed?
It is connected in my mind, with a very odd story.
Dr. Jekyll and Mr. Hyde, illustrated page 3: I saw a little man and a girl… the man trampled calmly over the child’s body…
Utterson’s eyes narrowed.
I saw a little man and a girl… the man trampled calmly over the child’s body…
…and left her screaming on the ground.
It sounds nothing to hear, but it was hellish to see.
What sort of a man is he to see?
Dr. Jekyll and Mr. Hyde, illustrated page 4: He is not easy to describe.
The man’s name was Hyde. Utterson walked on in silence, under a weight of thought.
He is not easy to describe.
There is something wrong with his appearance; something displeasing, something downright detestable.
He must be deformed somewhere; he gives a strong feeling of deformity.
He’s an extraordinary-looking man, and yet I really can name nothing out of the way.
Dr. Jekyll and Mr. Hyde, illustrated page 5: You are sure he used a key?
You are sure he used a key?
My dear sir…
The fact is, if I do not ask you the name of the other party, it is because I know it already.
I have been pedantically exact, as you call it.
The fellow had a key; and what’s more, he has it still.
I saw him use it, not a week ago.
Dr. Jekyll and Mr. Hyde, illustrated page 6: Mr. Utterson sighed deeply but said never a word.
Mr. Utterson sighed deeply but said never a word.
The young man presently resumed.
Here is another lesson to say nothing.
I am ashamed of my long tongue.
Let us make a bargain never to refer to this again.
Dr. Jekyll and Mr. Hyde, illustrated page 7: With all my heart.
The agreement sealed in silence.
With all my heart.
I shake hands on that, Richard.
Dr. Jekyll and Mr. Hyde, illustrated page 8: Both men prized these Sunday walks above all else.
Both men prized these Sunday walks above all else.
It was the chief jewel of each week.
They gave up pleasure, even business, for them.
Nothing was allowed to interrupt them.

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About Dr. Jekyll and Mr. Hyde

Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde is a psychological horror tale with a science-fiction premise, set amid the respectable streets and uneasy shadows of London. The story draws a physician, a lawyer, and a mysterious, deeply unsettling man into questions of self-experimentation, reputation, hidden conduct, and the divided nature of human character. Its tension begins in an atmosphere of quiet observation: Sunday walks, private chambers, polished façades, and a neglected door connected to an act of startling violence. Rather than rushing into spectacle, the book builds dread through suspicion, testimony, and the pressure of secrets that respectable society would prefer to leave untouched.

The prose is richly Victorian, formal yet sharply vivid, with long, carefully balanced sentences and an ear for dry conversation, moral unease, and ominous detail. Stevenson’s London is both recognizable and Gothic: orderly on the surface, but full of closed doors, dim streets, legal documents, and troubling contradictions. This is a strong choice for readers who enjoy classic horror, atmospheric mysteries, psychological fiction, and stories in which scientific ambition collides with conscience. Its period voice rewards attention, while its compact form and steadily tightening sense of danger make it an inviting entry into nineteenth-century Gothic literature.

Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

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